WSU Schnitzer Museum presents the exhibition ‘Polly Apfelbaum: Frequently the Woods are Pink’

Floral artwork by Polly Apfelbaum.
Potpourri – Love, edition 21/25, 2012 by Polly Apfelbaum.

PULLMAN, Wash. – The Washington State University Jordan Schnitzer Museum of Art is proud to present the exhibition “Polly Apfelbaum: Frequently the Woods are Pink,” Prints from the Collections of Jordan D. Schnitzer and His Family Foundation. On view at the museum from Aug. 27 to March 14, the exhibition is located in the Creighton, Bruce/Floyd, Borth and Smith Galleries.

As always, all exhibitions at the museum are free and open to the public.

The artist will also be providing a lecture from 4–5 p.m. in the CUB Auditorium with a reception to follow in the Schnitzer Museum gallery from 5–6 p.m.

“Polly Apfelbaum: Frequently the Woods are Pink,” Prints from the Collections of Jordan D. Schnitzer and His Family Foundation features unique prints of extraordinary complexity from the renowned American artist. Apfelbaum creates worlds of visual wonderment. The artist’s maximalist aesthetic posits a startling idea: Beauty, exuberance, and chromatic energy are conduits to social unity. Her works convey a welcoming space where juxtaposition of seemingly incongruous colors and patterns find shared equilibrium hinting at a society in peace.

“Polly Apfelbaum’s art takes us on a colorful journey through time and space,” said Jordan D. Schnitzer. “This retrospective exhibition from our collection highlights many of her most important artwork. We are delighted that the Jordan Schnitzer Museum of Art at WSU is the only west coast venue for this nationally-recognized artist. Come one and all, this exhibition will engage everyone from two to one‑hundred and two because it is so fun!”

More than 60 works on paper, created between 2004–2018, will be featured in the artist’s first survey exhibition, dedicated solely to her ambitious printmaking practice.

The exhibition will highlight a wide-range of Apfelbaum’s printmaking methods with a collection of one‑of‑a‑kind monoprints taking center stage. Her recent Atomic series arose from a process similar to that of her installation works, such as her “fallen paintings” consisting of many dyed fabric components the artist arranges in situ on the floor.

Apfelbaum’s kaleidoscopic print works were created with assistants at Durham Press who inked hundreds of woodblocks in assorted colors and patterns. The artist then spontaneously placed the blocks in printing jigs to explore different color combinations and compositions. Created quickly, each monoprint serves as a kind of printed sketch, revealing unexpected moments of variation and fluidity.

Empress Twist 12.
Empress Twist 12, 2014 by Polly Apfelbaum.

Apfelbaum has been active since the mid‑1980s and is best known for her expansive polychromatic floor-based installations residing somewhere between painting and sculpture. The artist has deployed a wide variety of media—including fabric, paint, dyes, wallpaper, and ceramics—materials traditionally associated with craft and domesticity. Influenced early in her career by artists Helen Frankenthaler, Morris Louis, and Jackson Pollock; Apfelbaum’s sensibility incorporates energy, playfulness, and wit, as well as her love of popular culture and affirmative view of femininity.

Apfelbaum has mounted nearly 60 solo exhibitions worldwide and has participated in hundreds of group exhibitions. Her work is in numerous permanent collections including the Albright‑Knox Art Gallery, Buffalo, NY; Brooklyn Museum, New York; Carnegie Museum of Art, Pittsburgh; Dallas Museum of Art; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern of Art, New York; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Philadelphia Museum of Art; Tang Teaching Museum, Saratoga Springs, NY; and Whitney Museum of American Art, New York. She was the recipient of a Pollock‑Krasner Foundation Grant in 1987, a Guggenheim Fellowship in 1993, an Artist’s Fellowship from the New York Foundation for the Arts in 1995, an Anonymous Was a Woman Award in 1998, a Richard Diebenkorn Fellowship in 1999, a Joan Mitchell Fellowship in 1999, an Academy Award from the American Academy of Arts and Letters in 2002, the Rome Prize in 2012, and a Creative Capitol Award in 2019. The artist resides and works in New York City.

The Jordan Schnitzer Museum of Art WSU is located in the Crimson Cube (on Wilson Road across from Martin Stadium and the CUB) on the WSU Pullman campus. The hours of our six galleries are Tuesday–Saturday, 10 a.m.–4 p.m., closed Sunday and Monday. For more information please contact the museum at 509‑335‑1910.

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